Since March 2015, the photographer and author Joey Lawrence has had unprecedented access to Kurdish guerrilla organisations fighting Isis, embedding himself into the Iraq and Syrian civil war. His powerful portraits of the fighters give a different perspective to the conflict

The war against Islamic State in Iraq and Syria has flooded our daily news with troubling statistics of massacres and mass migrations, yet there are faces and human stories at the heart of the conflict. Joey L wrote: From Iraq, one crosses the Tigris River into war-torn Syria, and is catapulted into a worldview crafted by the guerrilla.

A

  • A water tower overlooking the liberated city of Sinjar, Nineveh governorate, in Iraq on 10 November 2016.

Warshin,

  • Warshin, a survivor of the Yazidi genocide and volunteer YJE fighter, in the Nineveh governorate in Iraq

You are welcomed back by familiar faces wearing a palette of earth tones interrupted by a brightly coloured scarf probably given to them by their mothers. Conversations over cigarettes and tea with much too sugar often drift to conspiracy theories about the entire world plotting to destroy their cause. Oddly, these discussions begin to make sense. The guerrillas secretive hierarchy vanishes because of its compartmentalisation, and you find yourself among Kurds who left their families with the intention of defending their culture and way of life. We had once again entered the world of the Kurdish guerrilla.

A curious photographer

Kurdistan

  • Kurdistan Workers Party (PKK) guerrilla members on an armed patrol in the countryside of Makhmur in Iraq.

I could read all the articles, books and social media accounts in the world about what led to the war in Iraq and Syria, but that doesnt constitute experience. The reality was that a burning curiosity or shall I say a compulsion drove me to observe what was happening on the ground with my own eyes, independently and unfiltered from the media I had lost trust in.

Fighters

  • Fighters of YJA-Star (the Free Womens unit) from left to right: Evindar Cudi, Shevjin Herekol, Heja Botan, Nudem, and Bercem Penaber.

Since I became interested in photography as a young kid, all of the photographers I had looked up to and who had inspired me had inevitably covered conflicts. I had seen striking photojournalism spanning the generations of war in Kurdistan but the portrait project I envisioned was different. I felt the public (myself included) was becoming fatigued with seeing images of war. War, particularly when its not happening on ones shores, can feel far away and unrelatable. However, if a certain shift of style is enacted, then the viewer may actually pay heed. This is what makes portrait photography unique from more purist strands of documentary photography.

Silava

  • Silava and Berivan of the Yazidi Womens units (YJE) share a laugh in an abandoned ISIS base in Sinjar.

I took another photograph of Berivan with one of her fellow female fighters, Silava. While the pair looked stoically into my camera as I took shots, they suddenly broke out laughing together. They then insisted that if I was going to publish one of the images, then I should use the laughing one, as it is more realistic, because we always laugh when we fight on the frontlines.

Fighters

  • Fighters of the YJE gather outside their base for military training.

The Kurdish plight seemed oddly familiar. Even though the Isis propaganda had succeeded in scaring me shitless, I came to the conclusion that a project on Kurdish culture required a focus on Kurdish fighters the armed defenders of a distinct heritage and language. There was something special about their struggle that at that time, I could not properly articulate. I just felt like it had to be explored in depth, and documented in a way outside of the constraints typical of mainstream journalism. There was no rational newspaper, magazine or online publication that would have sent me in place of their much more experienced staff. But frankly, that was OK, because I also wanted to be entirely in control of my own affairs especially security.

Evindar

  • Evindar and Nudem, PKK guerrillas.

A

Ahmed

  • A YPG fighter takes a break during an operation to get a drink of water. Tel Tamir, Jazira canton, Rojava, in Syria, on 7 March 2015. Right: Ahmed Zakwan, a rebel fighter of the Army of Revolutionaries, reloads his PK machine gun in a farmhouse facing a small hamlet under the control of Isis. Ain Issa southwestern front, Raqqa governorate, Syria, 11 December 2015.

Jin,

  • Jin, a YPJ fighter, with rocket-propelled grenade launcher.

Agid,

  • Agid, a YPG fighter, sits atop a destroyed ISIS tank in Kobane.

Clothes

  • Clothes hang to dry in uncompleted concrete structure lived in by Yazidi refugees in Zakho, Dohuk governorate, in Iraqi Kurdistan.

Kurdish

A

  • Kurdish women in cultural clothing dance at International Womens Day celebration in Rojava; and right: a camera operator streaming footage to a local Kurdish channel films the scenes. 7 March 2015

During his travels, Joey observed ragtag volunteer guerrilla fighters with mysterious links to the outlawed Kurdistan Workers party (PKK) grow into a fully functional army and the US-led coalitions most trusted partner, the Syrian Democratic Forces (SDF).

http://www.theguardian.com/us

 

Recommended For You



Like it? Share with your friends!

0 Comments

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.